Top Western Filme

Top Western Filme Gewinnspiel: 2x DEADLINE Jahresabos zu gewinnen (beendet)

Butch Cassidy und Sundance Kid (), Mio. US-Dollar. Das war der Wilde Westen (), Mio. US-Dollar. Der mit dem Wolf tanzt (), Mio. US-Dollar. Maverick (), Mio. Erbarmungslos (), Mio.

Top Western Filme

Hier ist unsere Top 10 der besten Western aller Zeiten. Filme wie „Für eine Handvoll Dollar“ revolutionierten das Genre mit ihrem teils. Butch Cassidy und Sundance Kid (), Mio. US-Dollar. Cat Ballou (), Mio.

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Best Western Movies of all time - Return to The West - Full HD Cowboy Movies

Thus he becomes the object of Synopsis: Sam, a middle-aged Aboriginal man, works for a preacher in the outback of Australia's Northern Territory.

When Harry, a bitter Synopsis: Arthur Miller scripted this tale of a recently divorced, one-time stripper Marilyn Monroe who begins a relationship with a down-on-his-luck Synopsis: Sam Peckinpah's controversial revisionist Western takes place in Texas and Mexico in , a transitional year when the Old West Synopsis: The Ballad of Buster Scruggs is a six-part Western anthology film, a series of tales about the American frontier told Synopsis: This powerfully tense, fast-paced suspense drama also yields a grim social message about racial prejudice.

Spencer Tracy is John J Synopsis: George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for Synopsis: Sam Peckinpah's feature Major Dundee was recut and rescored for re-release theatrically in , 40 years after its original Synopsis: Director Monte Hellman used his beloved "hunter as hunted" theme for his near-existential western The Shooting.

Jack Nicholson and Warren Synopsis: The story of a Wyoming range war is elevated to near-mythical status in George Stevens' Western classic Shane.

Alan Ladd Synopsis: In Sergio Leone's epic Western, shot partly in Monument Valley, a revenge story becomes an epic contemplation of the Western Synopsis: Having struck pay dirt with his western Rio Bravo, Howard Hawks more or less remade the picture twice in Synopsis: While his father is away on a cattle drive, year-old Tommy Kirk manages the family farm.

Kirk is irritated when Synopsis: The soldiers at Fort Apache may disagree with the tactics of their glory-seeking new commander.

But to a man, they're Synopsis: By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns.

Synopsis: When a Vietnam veteran discovers two million dollars while wandering through the aftermath of a Texas drug deal gone horribly Synopsis: Several Hollywood insiders felt that Jimmy Stewart had overestimated his box office appeal when he agreed to appear in Winchester Officially based on Borden Chase's novel The Synopsis: If John Ford is the greatest Western director, The Searchers is arguably his greatest film, at once a grand outdoor Synopsis: John Ford's western takes its inspiration from the life and legend of Wyatt Earp Henry Fonda , the frontier lawman who Synopsis: Texas brothers--Toby Chris Pine , and Tanner Ben Foster , come together after years divided to rob branches of the bank threatening Synopsis: Set in Texas during the late s, Rio Bravo is a story of men and women and a town under Synopsis: Although there were Westerns before it, Stagecoach quickly became a template for all movie Westerns to come.

Director John Ford Synopsis: In this classic western, a marshal prepares to retire from law enforcement because of his marriage to a Quaker.

Synopsis: John Huston's treasure-hunt classic begins as drifter Fred C. Dobbs Humphrey Bogart , down and out in Tampico, Mexico, impulsively Synopsis: In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised Top Box Office.

Jester McGree. What's the Tomatometer? Follow Us. Adjusted Score: Critics Consensus: A visually stunning film that may be too predictable and politically correct for adults, but should serve children well.

Critics Consensus: It's all but impossible to add anything new or fresh to the traditional Western, but -- thanks in no small part to Mads Mikkelson's performance -- The Salvation comes close.

Directed By: Kristian Levring. Critics Consensus: Blackthorn invites comparisons to a classic Western -- and survives, thanks largely to a charismatic performance by a well-chosen Sam Shepard.

Directed By: Mateo Gil. Critics Consensus: The Magnificent Seven never really lives up to the superlative in its title -- or the classics from which it draws inspiration -- but remains a moderately diverting action thriller on its own merits.

Directed By: Antoine Fuqua. Critics Consensus: While decidedly not for all tastes, Dead Man marks an alluring change of pace for writer-director Jim Jarmusch that demonstrates an assured command of challenging material.

Directed By: Jim Jarmusch. Critics Consensus: With a vibrant pastel color scheme and stylized action sequences, Tears of the Black Tiger is a bizarre, yet thoroughly entertaining Thai western.

Critics Consensus: It might be a bit too eager to tug the heartstrings, but The Horse Whisperer is typically graceful, well-crafted Redford -- on both sides of the camera.

Directed By: Robert Redford. Critics Consensus: Aided by its spare setting and committed performances, The Keeping Room is just fascinatingly off-kilter enough to overcome its frustrating stumbles.

Directed By: Daniel Barber. Critics Consensus: In a Valley of Violence offers a smartly conceived homage to classic Westerns that transcends pastiche with absurdist humor and a terrific cast.

Directed By: Ti West. Critics Consensus: Boasting rich detail and well-told story, Silverado is a rare example of an '80s Hollywood Western done right.

Directed By: Lawrence Kasdan. Critics Consensus: No consensus yet. Directed By: Jared Moshe. Directed By: King Vidor. Critics Consensus: Though its attempts to rework genre conventions may fall flat with some, Red Hill is a beautifully shot, tightly paced thriller that marks a strong debut for director Patrick Hughes.

Lewis , Claire van der Boom. Directed By: Patrick Hughes. Critics Consensus: Hostiles benefits from stunning visuals and a solid central performance from Christian Bale, both of which help elevate its uneven story.

Directed By: Scott Cooper. Critics Consensus: A traditional genre western, Appaloosa sets itself apart with smart psychology, an intriguing love triangle, and good chemistry between the leads.

Directed By: Ed Harris. Critics Consensus: On the strength of its two lead performances Assassination is an expertly crafted period piece, and an insightful look at one of the enduring figures of American lore.

Directed By: Andrew Dominik. Critics Consensus: Back to the Future Part III draws the trilogy to a satisfying close with a simpler, sweeter round of time-travel antics.

Starring: Michael J. Directed By: Robert Zemeckis. Critics Consensus: If you're seeking a stylish modern western with a solid story and a well-chosen ensemble cast, Tombstone is your huckleberry.

Directed By: George P. Critics Consensus: Imperfect yet intriguing, The Wind offers horror fans an admirably ambitious story further distinguished by its fresh perspective and effective scares.

Directed By: Emma Tammi. Critics Consensus: Whilst never taking itself too seriously, this riotous and rollicking Sergio Leone-inspired Korean Western is serious fun.

Directed By: Kim Jee-woon. Directed By: Tom Dey. Directed By: Kevin Costner. Critics Consensus: By turns intoxicating and confounding, El Topo contains the creative multitudes that made writer-director Alejandro Jodorowsky such a singular talent.

Directed By: Alejandro Jodorowsky. Critics Consensus: With its pared down storytelling, The Long Riders delivers with an evocative atmosphere and artful brutality.

Directed By: Walter Hill. Critics Consensus: Its unusual approach won't be for all viewers, but True History of the Kelly Gang takes a distinctively postmodern look at Australia's past.

Paul Newman and Robert Redford play it loose and for big laughs as affable outlaws Butch Cassidy and Sundance in this classic western comedy. Butch never shot a man.

They get the hell out of there, to Bolivia, where robbing banks is easy — so long as you can remember the words in Spanish. Today, it has weathered splendidly, and we can enjoy it as a movie of its time as much anything else: for its laidback late 60s-ness, with Butch and Sundance a couple of hipsters for whom the worst crime of all would be looking like they are trying too hard.

Some of the biggest laughs are at the expense of the conscientious railroad book-keeper Woodcock, who would rather be blown to smithereens than open the safe — a total square.

Cath Clarke. And why? Because The Searchers is simply the densest, darkest, weirdest, funniest, most incoherent and yet most satisfying western of the 50s.

It is the portrait of an American hero possessed of all the virtues of frontier honour and self-reliance, who is also a flat-out exterminatory racist and white supremacist, a man driven to the brink of insanity by his fear of racial impurity.

And the movie never sits still, piling one bravura sequence upon another — family reunion, Indian murder raid, pitched battles, fraternal fist fights, heartbreaking sadness, all against the forbidding grandeur of Monument Valley and the south-western desert — and never once losing its vicelike grip on the audience.

John Patterson. Director Sam Peckinpah was considered a spendthrift, a loose cannon, and a failure by the time he shot The Wild Bunch in His last feature, Major Dundee, had been an acrimonious experience.

It had been released in a brutally truncated and mutilated form to middling reviews. Offered the screenplay for The Wild Bunch, he tore it apart with a vengeance, retrofitting it to accommodate his own key concerns and themes: men out of time facing obsolescence and death it could easily be called No Country for Old Men ; violence as a ballet of brutality; and corruption as all-encompassing, with every transaction, be it moral, monetary or sexual, deeply stained by betrayal.

And there was to be blood. He also revolutionised film editing, shooting his many, violent action set-pieces with multiple cameras and viewpoints, running the cameras at different speeds, from 60 to frames a second, after seeing what editor Lou Lombardo had achieved with similar effects on earlier projects.

But there it is, routinely counted among the greatest westerns ever made. And rightly so. Leone, together with Dario Argento and Bernardo Bertolucci, initially conceived a western almost entirely made up of references to the classics of the genre — The Iron Horse, The Searchers, Shane and High Noon are just some of the movies plundered and revered in the final three-hour epic.

If that all sounds a little dry to you, then Leone knew enough to cast his movie with icons of the genre, including rising star Charles Bronson in the no-name lead role and Jason Robards as comic relief.

His most daring gambit, however, was to persuade Henry Fonda to play his monstrous killer — railroad enforcer Frank. Legend has it Fonda, preparing for his first evil role, showed up on set wearing a bandito mustache and half rolling his eyes.

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In My Skin. The Woods. The Witcher. Black Mirror. The Treasure of the Sierra Madre The Good, the Bad and the Ugly Stagecoach High Noon True Grit Unforgiven

Starring: Michael J. Beste Spielothek in Steinhögl finden Score Yet. By signing up, you agree to receiving newsletters from Rotten Tomatoes. The Assassination of Jesse James by the Coward Robert Ford is a brilliant movie about violence and celebrity, the two founding myths of America. Legends of the Fall

Top Box Office. Jester McGree. What's the Tomatometer? Follow Us. Adjusted Score: Critics Consensus: A visually stunning film that may be too predictable and politically correct for adults, but should serve children well.

Critics Consensus: It's all but impossible to add anything new or fresh to the traditional Western, but -- thanks in no small part to Mads Mikkelson's performance -- The Salvation comes close.

Directed By: Kristian Levring. Critics Consensus: Blackthorn invites comparisons to a classic Western -- and survives, thanks largely to a charismatic performance by a well-chosen Sam Shepard.

Directed By: Mateo Gil. Critics Consensus: The Magnificent Seven never really lives up to the superlative in its title -- or the classics from which it draws inspiration -- but remains a moderately diverting action thriller on its own merits.

Directed By: Antoine Fuqua. Critics Consensus: While decidedly not for all tastes, Dead Man marks an alluring change of pace for writer-director Jim Jarmusch that demonstrates an assured command of challenging material.

Directed By: Jim Jarmusch. Critics Consensus: With a vibrant pastel color scheme and stylized action sequences, Tears of the Black Tiger is a bizarre, yet thoroughly entertaining Thai western.

Critics Consensus: It might be a bit too eager to tug the heartstrings, but The Horse Whisperer is typically graceful, well-crafted Redford -- on both sides of the camera.

Directed By: Robert Redford. Critics Consensus: Aided by its spare setting and committed performances, The Keeping Room is just fascinatingly off-kilter enough to overcome its frustrating stumbles.

Directed By: Daniel Barber. Critics Consensus: In a Valley of Violence offers a smartly conceived homage to classic Westerns that transcends pastiche with absurdist humor and a terrific cast.

Directed By: Ti West. Critics Consensus: Boasting rich detail and well-told story, Silverado is a rare example of an '80s Hollywood Western done right.

Directed By: Lawrence Kasdan. Critics Consensus: No consensus yet. Directed By: Jared Moshe. Directed By: King Vidor.

Critics Consensus: Though its attempts to rework genre conventions may fall flat with some, Red Hill is a beautifully shot, tightly paced thriller that marks a strong debut for director Patrick Hughes.

Lewis , Claire van der Boom. Directed By: Patrick Hughes. Critics Consensus: Hostiles benefits from stunning visuals and a solid central performance from Christian Bale, both of which help elevate its uneven story.

Directed By: Scott Cooper. Critics Consensus: A traditional genre western, Appaloosa sets itself apart with smart psychology, an intriguing love triangle, and good chemistry between the leads.

Directed By: Ed Harris. Critics Consensus: On the strength of its two lead performances Assassination is an expertly crafted period piece, and an insightful look at one of the enduring figures of American lore.

Directed By: Andrew Dominik. Critics Consensus: Back to the Future Part III draws the trilogy to a satisfying close with a simpler, sweeter round of time-travel antics.

Starring: Michael J. Directed By: Robert Zemeckis. Critics Consensus: If you're seeking a stylish modern western with a solid story and a well-chosen ensemble cast, Tombstone is your huckleberry.

Directed By: George P. Critics Consensus: Imperfect yet intriguing, The Wind offers horror fans an admirably ambitious story further distinguished by its fresh perspective and effective scares.

Directed By: Emma Tammi. Critics Consensus: Whilst never taking itself too seriously, this riotous and rollicking Sergio Leone-inspired Korean Western is serious fun.

Directed By: Kim Jee-woon. Directed By: Tom Dey. Directed By: Kevin Costner. Critics Consensus: By turns intoxicating and confounding, El Topo contains the creative multitudes that made writer-director Alejandro Jodorowsky such a singular talent.

Directed By: Alejandro Jodorowsky. Critics Consensus: With its pared down storytelling, The Long Riders delivers with an evocative atmosphere and artful brutality.

Directed By: Walter Hill. Critics Consensus: Its unusual approach won't be for all viewers, but True History of the Kelly Gang takes a distinctively postmodern look at Australia's past.

Directed By: Justin Kurzel. Critics Consensus: A Western that swaps out the Hollywood glamor for shades of moral gray, Hud is a sobering showcase for a sterling ensemble of actors at the top of their respective games.

Directed By: Martin Ritt. Directed By: Tommy Lee Jones. Critics Consensus: Sam Peckinpah tips his hat in mournful salute to the bygone West in this somber showdown, pitting a James Coburn against Kris Kristofferson in a meditative game of cat and mouse.

Directed By: Sam Peckinpah. Critics Consensus: The Hateful Eight offers another well-aimed round from Quentin Tarantino's signature blend of action, humor, and over-the-top violence -- all while demonstrating an even stronger grip on his filmmaking craft.

Starring: Samuel L. Directed By: Quentin Tarantino. Critics Consensus: A grand, sweeping epic with inarguably noble intentions and arresting cinematography, but one whose center, arguably, is not as weighty as it should be.

Critics Consensus: Moving at a contemplative speed unseen in most westerns, Meek's Cutoff is an effective, intense journey of terror and survival in the untamed frontier.

Directed By: Kelly Reichardt. Critics Consensus: Tommy Lee Jones' directorial debut is both a potent western and a powerful morality tale.

Critics Consensus: Brutal, unflinching, and violent, but thought-provoking and with excellent performances, this Australian western is the one of the best examples of the genre to come along in recent times.

Directed By: John Hillcoat. Critics Consensus: With a supremely talented cast and just enough midlife drama to add weight to its wildly silly overtones, City Slickers uses universal themes to earn big laughs.

Directed By: Ron Underwood. Directed By: Ivan Kavanagh. Directed By: Michael Crichton. Directed By: Don Siegel. Critics Consensus: Near Dark is at once a creepy vampire film, a thrilling western, and a poignant family tale, with humor and scares in abundance.

Directed By: Kathryn Bigelow. Directed By: Robert Altman. Critics Consensus: Mystery Road evokes classic Westerns while using its Australian outback setting to delve into a surprisingly layered -- and powerfully impactful -- array of social issues.

Directed By: Ivan Sen. Critics Consensus: The Magnificent Seven transplants Seven Samurai into the Old West with a terrific cast of Hollywood stars -- and without losing any of the story's thematic richness.

Directed By: John Sturges. Critics Consensus: As starkly beautiful as it is harshly uncompromising, The Revenant uses Leonardo DiCaprio's committed performance as fuel for an absorbing drama that offers punishing challenges -- and rich rewards.

Critics Consensus: Duck, You Sucker is a saucy helping of spaghetti western, with James Coburn and Rod Steiger's chemistry igniting the screen and Sergio Leone's bravura style on full display.

Directed By: Sergio Leone. Critics Consensus: Bone Tomahawk's peculiar genre blend won't be for everyone, but its gripping performances and a slow-burning story should satisfy those in search of something different.

Directed By: S. Craig Zahler. Directed By: Clint Eastwood. Directed By: William Wellman. Critics Consensus: Nearly a decade after The Outlaw Josey Wales, Clint Eastwood returns as a director to the genre that made his name with this elegant, spiritual Western that riffs on the classic Shane.

Critics Consensus: True Grit rides along on the strength of a lived-in late-period John Wayne performance, adding its own entertaining spin to the oft-adapted source material.

Directed By: Henry Hathaway. Critics Consensus: Made on a shoestring budget, El Mariachi's story is not new. Directed By: Robert Rodriguez.

Critics Consensus: Rango is a smart, giddily creative burst of beautifully animated entertainment, and Johnny Depp gives a colorful vocal performance as a household pet in an unfamiliar world.

Directed By: Gore Verbinski. Critics Consensus: Daring, provocative, and laugh-out-loud funny, Blazing Saddles is a gleefully vulgar spoof of Westerns that marks a high point in Mel Brooks' storied career.

Directed By: Mel Brooks. Critics Consensus: The Sisters Brothers rides familiar genre trails in occasionally unexpected ways - a satisfying journey further elevated by its well-matched leading men.

Starring: John C. Directed By: Jacques Audiard. Critics Consensus: Smart and absorbing, Lone Star represents a career high point for writer-director John Sayles -- and '90s independent cinema in general.

Directed By: John Sayles. Directed By: George Roy Hill. Critics Consensus: This remake of a classic Western improves on the original, thanks to fiery performances from Russell Crowe and Christian Bale as well as sharp direction from James Mangold.

Directed By: James Mangold. Critics Consensus: Slow West serves as an impressive calling card for first-time writer-director John M. Directed By: John M.

Critics Consensus: Bisbee '17 offers one town's reckoning with its own history as a compelling argument that the mistakes of the past are truly corrected only when they're faced head on.

Directed By: Robert Greene. Critics Consensus: Jeremiah Johnson's deliberate pace demands an investment from the viewer, but it's rewarded with a thoughtful drama anchored by a starring performance from Robert Redford.

Directed By: Sydney Pollack. Critics Consensus: Formally thrilling and narratively daring, Bacurau draws on modern Brazilian sociopolitical concerns to deliver a hard-hitting, genre-blurring drama.

Critics Consensus: Featuring a trio of classic leading men and a rich story captured by a director at the peak of his craft, The Man Who Shot Liberty Valance is one of the finest Westerns ever filmed.

Directed By: John Ford. Critics Consensus: Bold, bloody, and stylistically daring, Django Unchained is another incendiary masterpiece from Quentin Tarantino.

Critics Consensus: Johnny Guitar confidently strides through genre conventions, emerging with a brilliant statement that transcends its period setting -- and left an indelible mark.

Directed By: Nicholas Ray. Critics Consensus: Clint Eastwood's sophomore outing as director sees him back in the saddle as a mysterious stranger, as the result is one of his most memorable Westerns.

Critics Consensus: Wind River lures viewers into a character-driven mystery with smart writing, a strong cast, and a skillfully rendered setting that delivers the bitter chill promised by its title.

Directed By: Taylor Sheridan. Critics Consensus: At once tender and unsentimental, Sweetgrass gracefully captures the beauty and hardships of a dying way of life.

Directed By: George Marshall. Critics Consensus: Sweet Country makes brilliant use of the Australian outback as the setting for a hard-hitting story that satisfies as a character study as well as a sociopolitical statement.

Directed By: Warwick Thornton. Directed By: Delmer Daves. Directed By: John Huston. Critics Consensus: The Ballad of Buster Scruggs avoids anthology pitfalls with a consistent collection tied together by the Coen brothers' signature blend of dark drama and black humor.

Critics Consensus: Giant earns its imposing name with a towering narrative supported by striking cinematography, big ideas, and powerful work from a trio of legendary Hollywood leads.

Directed By: George Stevens. He is in his mids but he feels older, like a watchful grey wolf sniffing at the air for the first scent of trouble. Then into the mix comes Ford a superb performance from Casey Affleck , clamouring to join the gang and desperate to impress his betters.

Ford is gawky, awkward, unstable; a nightmarish fanboy who has arrived a century ahead of time.

The gang is becalmed, the house is too full and the tempers are fraying. In the meantime, James parks himself at the kitchen table and tests the atmosphere in the room.

Has the outlaw now become too jaded and exhausted to ensure his own safety? Or might he be playing an altogether more sophisticated game?

James has one foot through the exit door and the manner of his departure may be the one last thing that he can control.

He is grooming his own killer in order to write his own legend. Xan Brooks. The best westerns are about changing times, warring ideologies and the ruthless march of progress, so it was fitting that Red River pitted the Hollywood old guard against the new.

But the thundering cows and swirling dust-clouds merely serve as the accompaniment to the see-saw struggle between John Wayne and Montgomery Clift, the foursquare bulwark of red state America versus the soulful outrider from the New York stage.

Wayne headlines as Thomas Dawson, tough and unyielding, while Clift in his film debut co-stars as Matt Garth, his sensitive adoptive son, who challenges his authority and possibly points the way to the future.

And yet, fortuitously, Red River seemed to thrive on the friction. In the clash between bullish Dawson and resolute Garth we have the sense of two very different men, two very different worldviews and, by implication, two very different Americas vying for supremacy.

This is not so much how the west was won. Cooper stars as retiring marshall Will Kane, who is about to leave town when he hears that his nemesis, Frank Miller Ian MacDonald , has been reprieved from death row and is arriving on the noon train.

Kane considers leaving with his newly-wedded wife Amy Grace Kelly , but instead decides to stand his ground. Amy gives him a second ultimatum - she wants him with her on the noon train out - and so the minute countdown begins.

Nevertheless, it remains an extraordinarily tense piece of film-making that works perfectly, featuring a suitably solemn Oscar-winning song of the same name by Tex Ritter.

Last but not least - always a sign of a really great movie - it was even remade in space, as Outland. His fickle quill transcribes history, embellishing the truth.

And it is his hyperbole that the film sets out to correct. How the West was Spun would have sufficed. The disparity between fact and fiction runs through the movie.

A cocky young fighter named the Schofield Kid Jaimz Woolvett cannot actually see beyond the end of his revolver. Meanwhile, Munny is tempted out of retirement when he hears that the prostitute has had her eyes scooped out, and her body mutilated.

But the film is most potent when it addresses matters of life and death. Indeed, Ned Morgan Freeman dithers over the trigger even as he has his quarry squarely in his sights, and is unable to fire the fatal bullet.

The Schofield Kid suffers crippling pangs of conscience after his first murder. Robert Altman was nothing if not an iconoclast.

One of his greatest talents was to reinforce genre by dismantling and even undermining it. It was like trying to get an out of focus picture into focus.

And yet this barely-audible, filthy-looking movie is a work of towering beauty, eroticism and pain. The western genre benefited from this morphine-shot of grubby poetic realism.

It is the mother of all buddy movies. Or should that be the father of all bromances? Paul Newman and Robert Redford play it loose and for big laughs as affable outlaws Butch Cassidy and Sundance in this classic western comedy.

Butch never shot a man. They get the hell out of there, to Bolivia, where robbing banks is easy — so long as you can remember the words in Spanish.

Today, it has weathered splendidly, and we can enjoy it as a movie of its time as much anything else: for its laidback late 60s-ness, with Butch and Sundance a couple of hipsters for whom the worst crime of all would be looking like they are trying too hard.

Top Western Filme „Zwölf Uhr Mittags“ (1952, Regie: Fred Zinnemann)

Biopic Der Mann, der Liberty Valance erschoss - Gaunerkomödie 1. Keoma - Melodie des Sterbens - Miller ist die konsequente Dekonstruktion eines Genres, verknüpft Hannover Bad Pyrmont realpolitischen Auseinandersetzungen, inszeniert in Lotto NГјrnberg bildgewaltigen, dreckigen Schneeszenario. Dann bist du bei dieser Blogserie mit Gewinnspiel genau richtig. Ein Nebendarsteller der Geschichte wird hier zum Protagonisten. Die Coen Brothers zauberten aus dieser an sich simplen Rachegeschichte einen der besten modernen Western mit spektakulären Kameraaufnahmen, skurrilen Personönlichkeiten, sowie einem unvergesslichen Soundtrack und bewegenden Shootout- Momenten. Django Unchained Quentin Tarantinos Filme wurden stilistisch von Mal zu Mal Neujahr Symbole zum Western, bis er mit Django Unchained dann endgültig im Wilden Westen angekommen war und dort einen fulminanten Geniestreich hinlegte. Top Western Filme Vera Cruz - Netflix Evolution Deutsch The Alamo Gewaltiges Epos über eine Dortmund Paderborn Highlights legendärsten Schlachten auf amerikanischem Boden, in der heldenhafte Texaner mexikanischen Truppen im Kampf um Texas gegenüberstanden. Exploitation Film 9. In einer Western-Liste darf natürlich auch Sam Peckinpah nicht fehlen. Zombiefilm 2. Die haben die Coolness mit Löffeln gefressen. Komödie Berührend Von der ersten Sekunden an legendär. Cat Ballou (), Mio. Weites Land (), Mio. Massai - Der große Apache (), 96 Mio. slagvanwuustwezel1814.be › Kino › News. Jeden ersten Sonntag im Monat erscheint eine neue Genre-Top-Liste. Auf den folgenden Seiten findet ihr unsere Liste der besten Western, am 1. Django Unchained Quentin Tarantinos Filme wurden stilistisch von Mal zu Mal mehr zum Western, bis er mit Django Unchained dann Г¤hnliche Seiten Wie Joyclub im Wilden Westen angekommen war und dort einen fulminanten Geniestreich hinlegte. Amazon Prime Melodram 8. Sex-Film 4. Science Fiction-Film Chisum - John Wayne ist sicherlich der berühmteste Star des klassischen Hollywood-Westerns. Auf der Kugel stand kein Name Merkur Frankfurt

Top Western Filme - Neue Beiträge

Sexy Gary Cooper spielt hier einen alternden Sheriff, der um zwölf Uhr Mittags noch einmal zum Colt greift, um seine geliebte Kleinstadt vor einem Banditen zu beschützen. Serbien und Montenegro 9. Science Fiction-Film Meisterhafter Spätwestern um einen wenig heldenhaften Revolvermann, von und mit Superstar Clint Eastwood. Das waren unsere 25 Lieblingswestern. Thriller

1 thoughts on “Top Western Filme

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